THE POWER OF THE IMAGE | OR THE SURFACE OF THINGS

Day: March 8, 2013

The Post-Perceptual Mediation of Post-Cinematic Affect

“2.5 Crazy Cameras, Discorrelated Images, and the Post-Perceptual Mediation of Post-Cinematic Affect” Shane Denson on Post-Cinematic Affect. From Post-Cinema: Theorizing 21st-Century Film Ed. by Leyda and Denson, ReFrame Books. Read

Post-Cinematic Affect Roundtable Discussion

PLEASE NOTE: LA FURIA UMANA’S Website is currently down Therese Grisham conducts two roundtable discussions on the Post-Cinematic for La Furia Umana. The Post-Cinematic in Paranormal Activity and Paranormal Activity2 POST-CINEMATIC AFFECT: POST-CONTINUITY, THE IRRATIONAL CAMERA, THOUGHTS ON 3D and Shaviro on Post-Continuity  

HUM 425

Initially focused on the concept of paradigms in the work of Benjamin, Foucault, and Agamben, subsequent semesters of Dr. Thomas’ Thought and Image  featured a variety of texts, concepts, and works of expression. The course remains anchored by the work of Todd Haynes, Ranier Werner Fassbinder, and Douglas Sirk. Conceptualized as a course about “The Power of the Image” (which includes power as potentiality), Haynes’ alternate title for Far From Heaven, “The Surface of Things,” has served as an apt descriptor for the class. 

Image: Sega Pengo (1982)

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